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AC/E digital culture ANNUAL REPORT 2014NOTES1 In this regard, I recommend the chapter “El arte de ma‐ sas y las emotions” in a work by Noël Carroll Una filosofía del arte de masas, Madrid, Antonio Machado Libros, 2002, pp. 213‐248. An idea of “mass art” that approaches what John Street would call “popular culture” in Política y cultura popular (Madrid, Alianza, 2000): “Popular culture is all entertainment that is produced on a mass scale or is accessible for a large number of people”.2 And not just in what we could call “alternative”; “‘refinement’ may be perfectly commercial”, as we know very well, and as we have been reminded by Terry Eagleton in his book La idea de cultura. Una mirada política sobre los conflictos culturales (Barcelona, Paidós, 2001), where he picks apart the various conceptions there are about culture and its complexities.3 In “Emotional Voice Processing: Investigating the Role of Genetic Variation in the Serotonin Transporter across Development”.4 Vikas Ganjigunte, Ashok Song and Feng Yejin Choi: Success with Style: Using Writing Style to Predict the Success of Novels. Department of Computer Science, Stony Brook University, NY.5 Saif Mohammad: From Once Upon a Time to Happily Ever After: Tracking Emotions in Novels and Fairy Tales. Institute for Information Technology, National Research Council Canada, Ottawa, Ontario, Canada.6 Various authors: “EmotionSense: A Mobile Phones based Adaptive Platform for Experimental Social Psychology”. Cambridge University. http://emotionsense.org/7 Leena Arhippainen and Marika Tähti: “Empirical Evaluation of User Experience in Two Adaptive Mobile Application Prototypes”. University of Oulu, Finland.8 Designing for Emotion, http://www.abookapart.com/9 Richard Wollheim: Sobre las emotions, Madrid, AntonioMachado Libros, 2006.10 Jihyun Song: “Retail Design and Sensory Experience: Design Inquiry of Complex Reality”. Iowa State University, United States.11 “Multimedial Enhancement of a Butoh Dance Performance ‐ Mapping Motion to Emotion with a Wearable Computer System”.AC/E12 “Emergent Sensorial Forms of Performance”. http://www.inter‐disciplinary.net/13 Nima Motamedi: “Keep in Touch: A Tactile‐Vision Intimate Interface”, School of Interactive Arts and Technology, Simon Fraser University, USA, 2007.BIBLIOGRAPHYBooksCarroll, Noëll, Una filosofía del arte de masas, Madrid, Antonio Machado Libros, 2002.Eagleton, Terry, La idea de cultura. Una mirada polí‐ tica sobre los conflictos culturales, Barcelona, Paidós, 2001.Kleist, Heinrich von, Sobre el teatro de marionetas y otros ensayo de arte y filosofía, Madrid, Hiperión, 2011.Street, John, Política y cultura popular, Madrid, Alianza, 2000.Walter, Aarron, Designing for Emotions, http://www.abookapart.com/Wollheim, Richard, Sobre las emociones, Madrid, Antonio Machado Libros, 2006.Articles and studies“Face of the future rears its head”: http:// www.cam.ac.uk/research/news/face‐of‐the‐future‐ rears‐its‐head“Cambridge University film provides a glimpse of how robots and humans could interact in the future”: http://www.cam.ac.uk/research/news/ cambridge‐ideas‐the‐emotional‐computerWHERE WE ARE HEADING: DIGITAL TRENDS IN THE WORLD OF CULTURETHEME 9: THE NEW AFFECTIVE TECHNOLOGIES COME TO THE CULTURAL SECTOR CURRENT PAGE...123