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Bibliografía
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Allen, P. (2018), Artist Management for the
Music Business, Routledge.
Baym, N. K. (2018), Playing to the Crowd:
Musicians, Audiences, and the Intimate Work
of Connection, NYU Press.
Burgess, R. J. (2014), The Art of Music Pro-
duction: The Theory and Practice, Oxford
University Press.
Kusek, D., y Leonhard, G. (2005), The Future
of Music: Manifesto for the Digital Music
Revolution, Berklee Press.
Mulligan, M. (2020), Music Industry Blog: The
Impact of Streaming on the Music Industry,
MIDiA Research.
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Passman, D. S. (2019), All You Need to Know
About the Music Business, Simon & Schuster.
Rethink Music Initiative (2011), Fair Music:
Transparency and Money Flows in the Music
Industry, Berklee Institute for Creative
Entrepreneurship.
Tschmuck, P. (2017), The Economics of Music,
Agenda Publishing.
Wikström, P. (2020), The Music Industry:
Music in the Cloud, Polity Press.
Zager, M. (2012), Music Production: For Pro-
ducers, Composers, Arrangers, and Students,
Scarecrow Press.
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La TRANsfORMACIÓN DE LOs PERfILEs PROfesIONALEs DEL sECTOR MUsICAL…
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