Page 173 - Nada temas, dice ella

ILLUSTRATIONS TO THE ESSAYS
Joseph Beuys
Wie man dem toten Hasen die Bilder erklärt [How to Explain Pictures to a Dead Hare] Action
26 November 1965
Galerie Schmela, Düsseldorf Photo: Ute Klophaus
[p. 38]
Joseph Beuys
Hinter dem Knochen wird gezählt – Schmerzraum [Behind the Bone Is Counted – Pain Space]
1983
Lead sheets, iron, silver rings and light bulb
295 x 545 x 740 cm
Courtesy of the Colección de Arte Contemporáneo de la Fundación ”la Caixa”
[p. 55]
Gian Lorenzo Bernini
Ecstasy of Saint Teresa ca. 1647
Terracotta model
45 x 35 x 22 cm
The State Hermitage Museum, Saint Petersburg
[p. 56]
Gian Lorenzo Bernini
Ecstasy of Saint Teresa
1647-1651
Marble
Height: 351 cm
Our Lady of Victory Church, Rome
[p. 75]
Unknown artist
Reliquary with the left arm of Saint Teresa of Avila Late seventeenth century Gold-plated silver and rock crystal
63 x 33 cm
Sepulchre of Saint Teresa of Avila, Church in the Convent of the Annunciation, Monastery of Discalced Carmelites in Alba de Tormes
Courtesy of Carmus/Museo Carmelitano, Alba de Tormes [p. 76]
Sebastián Herrera Barnuevo Reliquary containing the heart of Saint Teresa of Avila
1671
Gold-plated silver, gold, rock crystal, precious gems
63 x 33 cm
Sepulchre of Saint Teresa of Avila, Church in the Convent of the Annunciation, Monastery of Discalced Carmelites in Alba de Tormes
Courtesy of Carmus/Museo Carmelitano, Alba de Tormes [p. 95]
ILLUSTRATIONS OF THE VENUES
Courtyard of the Colegio de
San Gregorio, historical site of the Museo Nacional de Escultura [pp. 96, 99 ]
View of the exhibition The Sacred Made Real (2010) at the Palacio de Villena, venue for temporary exhibitions organised by the Museo Nacional de Escultura [pp. 100, 103]
View of Room 20 in the Colegio de San Gregorio that showcases the permanent collection of the Museo Nacional de Escultura [pp. 132, 135]
Casa del Sol. Site housing the collection of reproductions of the Museo Nacional de Escultura [pp. 154, 157]
Plaza Wattenberg seen from
the Coco Café, looking on to the façade of the Museo Nacional de Escultura
[pp, 162, 165]
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