Page 174 - Nada temas, dice ella

WORKS IN THE EXHIBITION Marina Abramović & Ulay
Nightsea Crossing – Conjunction
1983
Video
2’ 11”
Performance (with Ngawang Soepa Lucyar and Watuma Tarruru Tjungarrayi) Sonesta Koepelzaal, Museum Fodor, Amsterdam
Four four-hour sessions,
April 1983
Courtesy of Marina Abramović Archives and of Video-Forum Neuer Berliner Kunstverein, Berlin
[p. 146]
Anila Quayyum Agha Intersections (ed. 2/5)
2015
Installation. Variable dimensions Lacer-cut steel sculpture, coated in polyester resin powder 200.66 x 200.66 x 200.66 cm Courtesy of the artist
[p. 124]
José Ramón Ais
Parque natural [Natural Park] (Numbers 1, 2, 3, 4, 6, 9 and 11) 2014-2015
Lambda print
125 x 93.75 cm each image Courtesy of the artist and
of Galería Alegría, Madrid
[p. 104]
Pilar Albarracín
Mentira n.o 5. Serie 300 mentiras [Lie No. 5. Series 300 Lies] 2009
Colour photograph
190 x 125 cm
Fundación Arco Collection, Madrid
[p. 118]
Francis Alÿs
Cuando la fe mueve montañas / When Faith Moves Mountains (making of)
2002
Video projection
15’ 9”
Colour, sound
Courtesy of the artist and David Zwirner, New York/ London
Oil on canvas
19.5 x 28 cm Cuauhtémoc Medina Collection, Mexico
Postcards
10.5 x 15 cm Courtesy of the artist
[p. 130]
Anonymous artist
Demonio [Devil]
Eighteenth century Polychrome wood
72 x 35 x 25 cm
Museo Nacional de Escultura, Valladolid
[p. 138]
Miquel Barceló
Al·legòric [Allegorical] 2012
Ceramic
50 x 63 x 40 cm Private collection
Ménage à 3
2012
Ceramic
93 x 74 x 60 cm Private collection
Pare, mare, fill, filla [Father, Mother, Son, Daughter] 2014
Ceramic
55 x 142 x 50 cm
Private collection
[p. 120 ]
Louise Bourgeois
Arch of Hysteria
1993
Polished bronze
83.8 x 101.6 x 58.4 cm Courtesy of The Easton Foundation, New York [p. 136]
Felipe de Espinabete
La Magdalena en el desierto
[Mary Magdalene in the Desert] 1750-1799
Polychrome wood
61.5 x 91.5 x 41.5 cm
Museo Nacional de Escultura, Valladolid
[p. 142]
Gregorio Fernández
Saint Teresa of Avila
ca. 1625
Polychrome wood
172 x 103 x 85 cm
Museo Nacional de Escultura, Valladolid
[p. 110]
Gregorio Fernández
Cristo yacente [Recumbent Christ] 1625-1630
Polychrome wood, glass, bull horn, cork and bone
43 x 190 x 73 cm
Museo Nacional de Escultura, Valladolid
[p. 150]
Dora García
The Hearing Voices Café
2015
Project by Dora García, in collaboration with La Revolución Delirante, Valladolid
Courtesy of the artist
[p. 166]
Mentira n.o 3. Serie 300 mentiras [Lie No. 3. Series 300 Lies] 2009
Colour photograph
125 x 187cm
Courtesy of the artist, of Georges-Philippe Gallery
& Nathalie Vallois, Paris, and of Galeria Filomena Soares, Lisbon
174