Page 6 - AC/E Digital Culture Annual Report 2014

AC/E digital culture ANNUAL REPORT 20142. FOCUS 2014: THE USE OF THE NEW TECHNOLOGIES IN THE PERFORMING ARTS by Javier Celaya and Felipe SantosANALYSIS OF THE IMPACT OF THE NEW TECHNOLOGIES IN THE PERFORMING ARTS............................................................ 126 SUCCESSFUL CASE ANALYSIS AND GOOD PRACTICE.................................................................................................................. 1291. The use of the new technologies in performing arts works...................................................................................... 129VIDEO MAPPING∙ In opera: El oro del Rin (Oviedo)..................................................................................................................................................... 130 ∙ In dance: Núria Font...................................................................................................................................................................... 130SPACES FOR CREATION∙ Festival IDN................................................................................................................................................................................... 130 ∙ Interactive Dance Installations....................................................................................................................................................... 130 ∙ European Performing Arts and Transmedia Lab.............................................................................................................................131WORKS∙ Robot, by Blanca Li......................................................................................................................................................................... 131 ∙ Ghost Road, by LOD....................................................................................................................................................................... 131 ∙ Trinity, by Òscar Sol and Iris Heitzinger.......................................................................................................................................... 131 ∙ Compañía Ferroviaria: El sueño de la razón, by Antonio Buero Vallejo............................................................................................ 132 ∙ Insectotròpics................................................................................................................................................................................ 132 ∙ Corpo‐Realidad, by María Castellano.............................................................................................................................................. 132 ∙ Todos mienten, by Producciones Margarita Iriarte.......................................................................................................................... 132 ∙ Skinstrument II, by Daan Brinkmann (Amsterdam, 1983) .............................................................................................................. 133 ∙ Malabaracirco................................................................................................................................................................................ 133 ∙ Trilogía sobre niños e imágenes, by Teatro Paraíso.......................................................................................................................... 1342. The influence of the new technologies on the way peopleview the performing arts............................................................................................................................................................1352.1 The use of the new technologies during performances..............................................................................................................135 LIVE OPERA ON TWITTER∙ Teatro alla Scala (Milan)................................................................................................................................................................ 136 TWITTER PROGRAMMES∙ National Symphony Orchestra (Washington)................................................................................................................................. 137TWEET SEATS∙ Lyric Opera of Kansas City............................................................................................................................................................. 137 ∙ Carolina Ballet................................................................................................................................................................................137 ∙ Dayton Opera................................................................................................................................................................................ 137 ∙ Saint Louis Shakespeare Festival................................................................................................................................................... 138 ∙ Cincinnati Symphony Orchestra.....................................................................................................................................................138AC/E125AC/E DIGITAL CULTURE ANNUAL REPORTCONTENTS CURRENT PAGE...6