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Three-faceted music: Crossbreeding, Syncretism and Hybridization in Latin America (16th to 20th Centuries) Vista de la exposición

Three-faceted music: Crossbreeding, Syncretism and Hybridization in Latin America (16th to 20th Centuries)

Acción Cultural Española (AC/E) and the Consortium for the Commemoration of the Bicentenary of the 1812 Constitution, in partnership with the Cádiz Provincial Authority, have organized the exhibition A tres bandas.  Mestizaje, sincretismo e hibridación en el espacio sonoro hispanoamericano (s. XVI-s. XX) (Three-faceted music: Crossbreeding, Syncretism and Hybridization in Latin America (16th to 20th Centuries), offering a visual and acoustic perspective on the indigenous, Hispanic and African cultural roots of Latin American music through audiovisual materials and instruments from the three cultures and their combinations.
 

The exhibition, curated by Albert Recasens, is based on a material, acoustic and visual narrative of the musical admixture seen in Latin America from the 16th Century up to the present day, attesting to the huge wealth generated by this interethnic convergence. The novel aspect of the structure of  A tres bandas is that it focuses on music and is based on the visual and scenographic elements which frame, suggest or emanate from it. The aim was to create an attractive and interactive exhibition where the public would be the true protagonists. The confluence of various disciplines, such as music, theatre and design, thus make it a truly innovative show.

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Vídeo A tres bandas. Miami
Vídeo A tres bandas. Miami
A tres bandas (eBook)
eBooks

A tres bandas (eBook)

A tres bandas (A three-way) exhition was a key stage to reflect on the music with visual, sound and material elements, mixing processes, syncretism and hybridization by the peoples who have been and are reflected in the Latin American different sounds. The catalogue reflects about this experience through articles by expert musicologists  who analyze the history and development of the musical currents between continents from ancient history to the present.

Spanish edition.

Summary
- Introducción
Albert Recasens
- Culturas musicales del México profundo
Gonzalo Camacho
- Yo soy el huayno: el huayno peruano como confl uencia de lo indígena con lo hispano y lo moderno
Julio Mendívil
- Las «versiones» del caso mapuche: historias de ayer y de hoy
Irma Ruiz
- Bailes Chinos del Aconcagua. Una historia en dos acordes
Claudio Mercado
- Cien años de zapateo. Apuntes para una breve historia panamericana de la zamacueca (ca. 1820-ca. 1920)
Christian Spencer Espinosa
- De improviso: el canto payadoresco, expresión de origen hispano en el área rioplatense
Marita Fornaro
- La música de salón en Colombia y Venezuela, vista a través de las publicaciones periódicas de la segunda mitad del siglo xix y las primeras décadas del siglo xx. A propósito de un ejercicio de historia musical comparada
Hugo J. Quintana
- Entre la duplicidad y el mestizaje: prácticas sonoras en las misiones jesuíticas de Sudamérica
Guillermo Wilde

Activities

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